February 15, 2009

Sine Language – episode 105

We’re back!
The new studio, whilst not complete, is certainly functional.
So, this ep begins with a bit of a chat regarding what the last 6-8 weeks has entailed.

Then into the meat of it:
An interview with Nick Dika (Product Manager and PR guru for Izotope) about the just released version 4 of their great mastering plugin, Ozone.
If you are interested, they have a fully-functonal 21 day trial version available for download.
Also, make sure you read the pdf on the mastering process.

Then, it’s on to some e-mail, including a lengthy one from Jim Addie about the nature of VU meters, and the benefits of having a fast-attack-fast-release compressor early in your mixdown chain….
This is rather timely, as I have recently read a piece by Mike Stavrou espousing a technique which is almost identical… and which challenges everything I have always believed (and subsequently advised my listeners) regarding dynamics.

Then another e-mail, this time from another Jim, asking about:
a. external plugin processing cards (like the TC Powercore, SSL Duende and UAD-2)
b. third octave pink noise mp3 files, and
c. audio over gigabit ethernet.

And finally, an e-mail from Ron Eastwood asking about USB turntables and cassette decks,
the legal mumbo-jumbo you hear at the end of radio commercials,
plus some tips for me on geography!


August 31, 2008

Building the pod – episode 125

This week, a bunch of listener e-mails to answer.
First up, we heard from Bomar in France. After editing and mixing this episode, it occurred to me that this really should have been in Sine Language rather than BTP… oh well, sue me!
Bomar mentioned (among other things), a microphone which is alledgedly capable of picking up the sound of an ant’s footsteps.
Unfortunately, the site doesn’t appear to have any audio samples of this awesome feat.
Mmmmmm, sorry Bomar, but please forgive my scepticism! :)
Bomar went on to talk about field recorders, which led to a discussion on ‘auto gain control’ circuits (and why I don’t like them).

Next up, I received an e-mail from Ken at Bear Creek Studios who alerted me to a piece of software called Mediasweeper.
This looks really nifty, although I do need to spend some more time with it.
What it is designed to do is to look at your Audition .ses files and show you a list of which assets (read: wav files, mp3′s, avi’s, whatever) are referenced by the session file, and then allow you to either move all those files, or delete any wavs in the project folder which are NOT referenced by the session file!
If it does as promised, this will be a God-send!
Unfortunately, there’s no help file with it.
When I’ve spent some more time with it, I’ll report back.

Then, Wayne Montle wrote to tell me about Pamela, a piece of software which sits in between Skype and your DAW of choice.
What it does is allow you to split your outgoing audio (your voice) and your incoming audio (the person you’re talking to) into a left/right stereo signal so that you can later edit your Skype call with split tracks.
For those with soundcards which don’t offer that flexibility natively, this could be a huge blessing.
Thanks for the tip, Wayne.

Finally, I received an e-mail from Patrique Osborne who was concerned that I was advocating the growing of marijuana in episode 124!
I had a good laugh at this.


October 28, 2007

Sine Language – episode 075

This week, the final episode in the series on “constructing your own promo”… the mixing stage.


October 29, 2006

Building the pod – episode 069

In episode 69, what else? Soundbooth.
And since recording this, I have confirmed that no, there are no multitrack capabilities in Soundbooth.
The Adobe Labs RSS feed.
And a discussion on the multiband compressor in AA2.0.


July 9, 2006

Sine Language – episode 018

This week, some more listener e-mail, and a discussion on phase cancellation.

m4s0n501

March 26, 2006

Sine Language – episode 007

This week, the last word (hopefully!) on compression and setting thresholds,
a brief description of Bruce’s signal chain and setup,
the current trend of hypercompression and peak limiting in modern music,
and subtractive eq when mixing.
Mixing with eq.doc (originally written by Robert Dennis. See his article here)
Focusrite Voicemaster Pro
Tannoy Reveal monitors (although, this link is for the new look Reveals… mine are the now superceded editions)
Home made baffles


September 17, 2005

Building the pod – episode 013

In episode 13, Bruce explains hard limiting.