This week, Jay asked about the audio processing used in movie soundtracks, and why the music in movies sounds so much better than the official soundtrack CD.
Scott Hess asked about using small amounts of delay to simulate spatial shifts, rather than using straight out panning.
And Greg Anderson wanted some feedback (from YOU as well as me) about creating a short list of technical ‘goals’ for personnel recording live lectures and conferences.
By the way, there probably WON’T be an episode of Sine Language next week, as I really want to get an ep of Building The Pod done. Just letting you know now, ok?