August 30, 2009
The audio2u.com forum is open. And a big shout out goes to Mike Wills for helping with some of the background tweaking,
Bomar wrote to ask about the sound design elements I use for the intros to my podcasts (or at least, the one at the beginning of Shutters Inc which sounds like the Batmobile),
Somebody (apologies for not remembering who it was) wrote to remind me of the “portabooth”, a home-made solution for recording in ambient spaces without picking up said ambience,
J.R. also wrote in to tell us about the Reflexion Filter made by sE.
J.R. also wondered if anyone else is having dramas with getting Pro Tools 8 to play nicely with Windows 7,
and finally, Jim Addie wrote an epic e-mail about loudness meters, in all their various forms.
Some links that relate to that discussion:
Fletcher Munson curves
The Orban meter that Jim mentioned
THX Loudness Plus
Audyssey Dynamic Volume
Audyssey Dynamic EQ
and finally, The Frank Foti/Robert Orban white paper I mentioned toward the end of the podcast.
August 2, 2009
This week, Chris Bartlett asks about cloud computing and how that might affect the DAW market into the future,
My man in Hollywood replied with some more info on film track-lay procedures and definitions,
and then Chris Bartlett wrote in again, first to comment on how being a home recording enthusiast is a bit like being a heroin addict, and second to ask about home recording space acoustic treatment.
July 7, 2009
In episode 115, I caught up with some of the exhibitors at Integrate ’09; a pro audio, video and lighting trade show in Sydney.
00:00:44 Ben Sneesby – Bees Neez Microphones
00:02:48 Andy Eastwood – Dynamic Music
00:07:59 Mick Wordly – Mixmasters
00:19:37 James Hicks – Oceanic Distribution
00:22:46 Ben Redzic – Lightsounds
00:25:04 Joshua Fielstra – Native Instruments
00:31:55 Steve Vranch – Yamaha
00:35:26 Maxwell Twartz – Technical Audio Group
00:39:50 Leon Hart – Amber Technology
00:44:22 Filip Saelen – Amber Technology
00:52:02 John Fuller – Sound-Music
00:55:14 Brian Zolner – Studio Connections Australia
01:07:23 Greg Cato – Major Music Wholesale
May 3, 2009
This week, an apology to Jay for incorrectly identifying him as the author of the e-mail I read out in ep 110,
Jim Weishorn wants to discuss dynamics some more (that’ll have to wait),
a query from Steve Riekeberg at Geek Cred on the voice track processing I use in post-production (see notes at the end of this post),
Mike Wills pointed out the holophone 5.1 microphone,
a couple of people suggested the ‘limited dynamic range’ modes in home AV receivers to combat the wildly varying volume in movies,
Jim Weishorn mentioned this article on using multiple reverbs,
MMIH chimed in with some further input on movie soundtrack mixes, DVD audio, centre speakers etc, including a link to this article from Dolby on setting up home theatre,
Justin confirmed that sound travels FASTER in WARMER air,
plus I discuss the different types of reverbs (plate, spring, digital, convolution).
Oh, and the Speakerphone plugin that MMIH mentioned is made by Audioease.
And finally, those voice settings I supplied to Steve:
Reverb time: 800-1000ms
Initial delay: ~30ms
Mix: 95% dry, 5% wet (this is the critical one… most people go overboard on the wet signal!)
Initial delay: 15ms
Pitch: pretty close to neutral (ie don’t shift the voices up or down)
April 19, 2009
In episode 110, Tim Cumings is happy with his USB mic pre-amp from Centrance,
Geoff Hankerson was concerned about the proximity of the drinks fridge to my studio, as well as being slightly miffed about the dynamic range in DVD audio when watching movies,
Justin wrote to ask about the different types of reverb and how to find the right one (something which I need to speak further on, perhaps next week),
Here’s a few links to check out:
Wiki article on the speed of sound
Wiki article on reverberation
Wiki article on acoustic absorption
and Jay wrote back about his perceptions/opinions on home theatre speakers.
April 5, 2009
In ep 109, a quick plug for iStockPhoto who are now selling user-generated audio clips.
For those of you with a love of recording outdoor sounds, this could be a nice way to turn your hobby into some extra cash.
Worth checking out at the very least.
Then, a lengthy e-mail from Jim Addie answering Scott’s earlier query about panning and delay,
some feedback from Slau about ribbon mics,
plus another shoutout for Stav’s book, Mixing with your mind… specifically in relation to Stav’s theory of ‘hard’ and ‘soft’ microphones and sound sources.
March 8, 2009
Finally! BTP is back for 2009.
In this episode, we continue from where we left off with the last 3 entries in the “Delay and echo” sub-menu of the effects menu.
Also, Michael Rooney has been slaving away over a hot text editor, cranking out utilities for use with Audition.
Check out the Audition FX Management utility, and the SES Backup utility.
And if you find them useful, please make a donation (even if it’s only a couple ofÂ bucks)!
February 22, 2009
This week, Jay asked about the audio processing used in movie soundtracks, and why the music in movies sounds so much better than the official soundtrack CD.
Scott Hess asked about using small amounts of delay to simulate spatial shifts, rather than using straight out panning.
And Greg Anderson wanted some feedback (from YOU as well as me) about creating a short list of technical ‘goals’ for personnel recording live lectures and conferences.
By the way, there probably WON’T be an episode of Sine Language next week, as I really want to get an ep of Building The Pod done. Just letting you know now, ok?
February 21, 2009
As promised, here’s a short video tour (approx 7.5MB, MPEG4) of my new mixing and editing space.
This is also where I record my podcast voice tracks.
However, I have a room on the other side of the house set up as a voice booth for those occasions when I’m working with separate voice talent.
February 15, 2009
The new studio, whilst not complete, is certainly functional.
So, this ep begins with a bit of a chat regarding what the last 6-8 weeks has entailed.
Then into the meat of it:
An interview with Nick Dika (Product Manager and PR guru for Izotope) about the just released version 4 of their great mastering plugin, Ozone.
If you are interested, they have a fully-functonal 21 day trial version available for download.
Also, make sure you read the pdf on the mastering process.
Then, it’s on to some e-mail, including a lengthy one from Jim Addie about the nature of VU meters, and the benefits of having a fast-attack-fast-release compressor early in your mixdown chain….
This is rather timely, as I have recently read a piece by Mike Stavrou espousing a technique which is almost identical… and which challenges everything I have always believed (and subsequently advised my listeners) regarding dynamics.
Then another e-mail, this time from another Jim, asking about:
a. external plugin processing cards (like the TC Powercore, SSL Duende and UAD-2)
b. third octave pink noise mp3 files, and
c. audio over gigabit ethernet.
And finally, an e-mail from Ron Eastwood asking about USB turntables and cassette decks,
the legal mumbo-jumbo you hear at the end of radio commercials,
plus some tips for me on geography!
December 21, 2008
In episode 128, we explore the first half of the “Delay and echo” submenu items in the effects menu.
Also, my plans to move my home studio in the new year, and this week saw the release of the Audition 3.0.1 patch. See the previous post for details.
November 9, 2008
Believe it or not, we’re finally here!
The building of this video has been an absolute labour of love…. I’d estimate that it’s taken me about 20 hours of work to complete!
Maybe, that’s partly my inexperience at producing video podcasts, but hopefully, when you watch it, you’ll see where those hours went.
In an effort to ease the load on my hosting company’s servers, I will be setting up a torrent feed later tonight.
Check back here later for a link to the torrent file.
There’s also a copy of the file at YouSendIt, plus the copy here at audio2u.com.
To download manually from audio2u:
From YouSendIt here:
If you want to download a copy of the final mix of the song (featuring a couple of extra tweaks I did later), grab that here:
Fear of Holding On – 320 kbit joint stereo (13MB)
Towards the end of the podcast (or is that vidcast?), I mentioned that I would make the individual instrument tracks available to anyone who wanted to have a crack at mixing the song for themselves.
Drop me an e-mail and I’ll send you the link to download the files.
Just be warned… that’s an even bigger download than the mp4!!
The tracks are 32bit mono and total about 1.1GB!
The download will be in .rar format, so you’ll need an archive utility like WinRAR (or similar) which is capable of unzipping a .rar file.
August 31, 2008
This week, a further discussion on filters.
Something I should have covered last episode (but sadly neglected) was to distinguish between shelf filters and peak filters.
I also received an e-mail from Ike Tamigian, who is interested in hearing a discussion on the ins and outs of Izotope’s Ozone plugin.
I’ve put it on the list, Ike.
Then, Rob Scalise chimed in with a suggestion that I check out a podcast called the HT Guys (for Home Theatre).
Next up was Mike Wills, whose Dad has given him a cassette to convert to digital files of one description or another.
Mike wanted some tips on transferring the audio.
And finally, Greg Anderson asked why the mixes he does on the crappy little speakers in his laptop translate better to other playback systems than the mixes he does on ‘decent’ speakers.
January 6, 2008
I wasn’t planning on doing another podcast this early in the year, but a couple of e-mails came in, and I figured I may as well just get on answer ‘em!
This week, an “end of year” greeting from long-time listener, Gary Lerude. Thanks mate!
John Meadows asked about what effects or processes get over used, and which don’t get the attention they deserve. (NB. The one thing I should have also mentioned which doesn’t receive the attention it should is mic technique!)
And Vassya asked about why 44.1 kHz or 48kHz, dither, and headphones.
October 28, 2007
Next Page »
This week, the final episode in the series on “constructing your own promo”… the mixing stage.