This week, in the final episode for 2009,
we rave (again) about David Oakley,
I pose the question to Shelton “How do you stay in touch with ‘real world’ working conditions, when you run the risk of doing so much teaching that there’s no time for commercial work?”,
Shelton queries whether or not we sometimes overlook the potential joy of having captured a great image when it might have some technical shortcomings,
and we discuss the end of the world, just ’cause we can.